Hiroshi Sugimoto photographing diorama displays that get extra attention before a shoot in Manhattan.
In a corner of his airy studio looking down on the High Line in Chelsea, Hiroshi Sugimoto maintains a kind of private natural history museum,
a choice paring from the immense collection of wunderkammer artifacts
he has amassed since becoming one of the art world’s most successful
photographers.
What happens when you mix a Medieval tapestry with a Modern abstract? Collectors are finding out for themselves
Across the ages: a woman eyes up Ron Mueck’s Big Baby, 1996, at Christie’s “Masterpieces” last year; Bernardo Daddi, Saint Dominic, around 1342, on show at Richard Feigen, Frieze Masters